Once across the border, in new garb, the orphan remembers or conceals the old town, and appears new-born and different.Ĭopyright as a construct exists to protect income and requires a “modicum of creativity” ( source ). Translation is an art between tongues, and the child born of the art lives forever between home and alien city. ”įor a particularly poetic take on the creative challenge of translating poetry, this essay by Willis Barnstone is a humdinger. The authors’ translation is simply: “ The ancient pond/And a frog jumps in/The sound of water. … both of which are considered “bad” and the latter of which this paper suggests expresses contempt for frogs. Text within this block will maintain its original spacing when published Once upon a time there was a frog A haiku in Japanese- “ Furuike ya/ kawazu tobikomu/ mizu no oto ” (Bashō)-might be considered a set of instructions, which have been variously executed in English as: I’ve been reading about poetry translation and thinking about copyright. not that good? But her post is very funny and worth a read, with commentary like “ Breaking out of the square format for reasons known only to itself, ChatGPT implores us to contemplate questions like, ‘why use p5js inbuilt width and height variables when you can create your own, much longer ones?’ and, ‘why should you draw two lines if you only feel like drawing one?’” Last month, Amy Goodchild, a well-known algorithm artist, prompted ChatGPT to produce p5.js code according to his (slightly modified) instructions. Or are they draftspeople? Sol’s take is that “each person draws a line differently and each person understands words differently.” Only their particular understanding makes the implementation interesting. They are a series of directions he has written, prompts, if you will, that are then “performed” on walls in museums by various human artists. Sol Lewitt ( wikipedia ) was a conceptual artist, perhaps best known for his “wall drawings”-which are in fact not painted by him at all.
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